|
Notes
1 Clemens Poellinger and Erica Treijs, Hausse, Svenska Dagbladet, retrieved 02 June 2007,
<http://www.svd.se/dynamiskt/kultur/did_14144752.asp>
2 Nichlas Östlind, Hausse, Svenska Dagbladet, retrieved 02 June 2007,
<http://www.svd.se/dynamiskt/kultur/did_14144752.asp>
3 Sven-Erik Liedman, Stenarna i själen: form och materia från antiken till idag, (Albert Bonniers Förlag: Stockholm, 2006, p 245)
4 Franklin L Baumer, Romanticism (ac 1780-1830), retrieved 13 June 2007, <http://etext.lib.virginia.edu/cgilocal/
DHI/dhi.cgi?id=dv4-26#>
5 Sven-Erik Liedman, Stenarna i själen: form och materia från antiken till idag, (Albert Bonniers Förlag: Stockholm, 2006, p 222)
6 Marion Von Osten, Unpredictable Outcomes / Unpredictable Outcasts: A reflection after some years of debates on
Creativity and Creative Industries, retrieved 21 June 2007, <http://eipcp.net/transversal/0207/vonosten/en>.
7 Anna Brodow, Måleriets död en myt bevisligen, Svenska Dagbladet, retrieved 21 June 2007,
<http://www.svd.se/dynamiskt/rec_konst/did_16011097.asp>
8 Millou Allerholm , På spaning efter det jag som flytt - 15 konststudenter i Bonniers konsthall, Stockholm, Dagens Nyheter, retrieved 21 June 2007, <http://www.dn.se/DNet/jsp/polopoly.jsp?a=655080>
9 Sinziana Ravini, Vildsvin, Playboy och nordiskt vemod, Göteborgs Posten, retrieved 15 July 2007,
<http://www.gp.se/gp/jsp/Crosslink.jsp?d=121&a=294818>
10 Frederic Jameson, Postmodernism, Or, the Cultural Logic of Late Capitalism (Duke University Press: Durham, 1991, p. 174)
11 Jameson, Postmodernism, p. 174.
12 Richard Dyer, Pastiche (Routledge: London, 2007), Ingeborg Hoesterey, Pastiche: Cultural Memory in Film, Art and Literature (Indiana University Press: Bloomington, 2001), Charles Jencks, The Language of Postmodern Architecture (Rizzoli, New York, 1984).
13 Luc Boltanski and Eve Chiapello, The New Spirit of Capitalism, (Verso, London, 2006).
14 Manuel Castells, The Rise of the Network Society, (Blackwell Publishers, Cambridge, 1996).
15 Luc Boltanski and Eve Chiapello, The New Spirit of Capitalism (Verso, London, 2006, p. 461).
16 Boltanski and Chiapello, New Spirit, p. 461.
17 Diesel New Art, retrieved 15 July 2007, <http://www.diesel-new-art.com/template.asp?p_id=73&top_p_id=50>
18 Market Art Fair, retrieved 02 July 2007, <http://www.market-art.se/>
19 Anna Brodow, Måleriets död en myt bevisligen, Svenska Dagbladet, retrieved 10 July 2007,
<http://www.svd.se/dynamiskt/rec_konst/did_16011097.asp>
20 Remembrance of the Subject Past, retrieved 10 July 2007, <http://www.bonnierskonsthall.se/sv/Konst/Konst/Tidigare/>
21 Mariana Garin, Camilla Larsson, Sinziana Ravini, The Eternal Return of the Romantic, retrieved 10 July 2007,
<http://www.bonnierskonsthall.se/sv/Konst/Konst/Utstallningar/Konsthogskolorna-07-Romantikens-eviga-aterkomst/>
22 Garin, Larsson and Ravini, Eternal Return.
23 Bourriaud, Nicolas Post-Production (Lukas and Sternberg: New York, 2001).
24 Mårten Arndtzén, 'Romantisk konstnärsroll på Bonniers konsthall', Sveriges Radio, retrieved 10 July 2007,
<http://www.sr.se/cgi-bin/isidorpub/PrinterFriendlyArticle.asp?ProgramID=478&nyheter=1&artikel=1370787>
25 Richard Florida, Den kreativa klassens framväxt The Rise of the Creative Class (Daedalos: Stockholm, 2006).
26 KK-Stiftelsen, retrieved 01 July 2007, <http://www.kks.se/>
27 'Om Branschen', Swedish Trade Council, retrieved 03 July 2007,
<http://www.swedishtrade.se/upplevelser/?objectid=6483&pageid=6983>
28 Anthony Davies, 'Basic Instinct: Trauma and Retrenchment, 2000-2004' MUTE issue.29, Winter/Spring 2005, retrieved 25 May 2007, <http://www.metamute.org/en/Basic-Instinct-Trauma-and-Retrenchment-2000-4>
29 Fiachra Gibbons, After the shocks and the hype, the gentle art of painting is ready to make a comeback, The Guardian, January 2, 2003, cited in Anthony Davies, Basic Instinct.
30 The original Henri Matisse quote is: 'An art which might be for every mental worker like a mental soother, something like a good armchair in which to rest from physical fatigue', A Liberman, The Artist in his Studio (Viking Books, New York, 1960).
31 Pernille Albrethsen, Platform Formalism (Nordic Art Review, Stockholm, 2002), 16beavergroup, retrieved 25 May 2007, <http://www.16beavergroup.org/mtarchive/archives/000873.php>
32 Claire Bishop, 'Antagonism and Relational Aesthetics'. October 110 (MIT Press, Cambridge, pp. 51-80).
33 Bishop, Antagonism, p. 77.
34 For a discussion of 'network sociality' and its deleterious effects on workplace democracy, see Angela McRobbie,
'From Clubs to Companies: Notes on the Decline of Political Culture in Speeded Up Creative Worlds', Cultural Studies 16: 4, 2002, pp 516-531. For an examination of effects of networking on arts education (specific to London, UK), see Angela McRobbie, Creative London/Creative Berlin: Notes on Making a Living in the New Cultural Economy. Atelier Europa, Munich Kunstverien, 2004, retrieved 10 May 2007, <http://www.ateliereuropa.com/>
35 Howard Singerman, Art Subjects: Making Artists in the American University (University of California Press, Berkeley, 1999).
36 George Van Den Abeele, 'On the Notion of "Disinterestedness': Kant, Lyotard, and Schopenhauer' ,Journal of the
History of Ideas (John Hopkins University Press, 62: 4, 2001).
37 Christina Ritchie, 'How do you launch an international art career?' C Magazine, 2001, cited in Clive Robertson, 'Simple pasts and future perfects', FUSE Vol.25 No.4, 2002, p. 29.
|
|
|
|
|
|
|
